Guide Derrida: Ethics Under Erasure (Continuum Studies in Continental Philosophy)

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Panel Proposals: Panels will consist of 3 papers of 20 minutes delivery and 10 minutes discussion time each. Contra Kant, she suggests that the death penalty has been used to blur the boundary between human and animal, paradoxically both reducing condemned person to the status of beasts and elevating condemned animals to that of human beings. Following the peculiar logic of capital punishment, Anderson argues that the contemporary "humane" death penalty represents an attempt to reinforce the human-animal divide, distancing us from our animality..

Her essay issues a challenge to readers to abolish the death penalty and to assume responsibility for life in all its vast multiplicity of forms. Jacques Derrida and Derridean Deconstruction. We have received over abstracts, however, by popular demand we are extending the deadline for the call for paper till the 30th November The CFP is attached. Please send your abstract to: derridatodayconference gmail. Special Issue editor Michael Naas.

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Doi: DOI: Anderson, N. View on antennae. Derrida: Ethics Under Erasure, Continuum more. Derrida: Ethics Under Erasure contests a common interpretation that deconstruction is unethical and nihilistic. At the same time it argues that while Derrida does not At the same time it argues that while Derrida does not offer an ethical or political treatise, deconstruction challenges ethical systems without rejecting them. It has also been necessary, for some time now, to move beyond dismissals and deifications of Derrida.

It is for this reason that Derrida distances his use of the term deconstruction from post-structuralism , a term that would suggest philosophy could simply go beyond structuralism. Derrida states that "the motif of deconstruction has been associated with "post-structuralism" but that this term was "a word unknown in France until its "return" from the United States".

The popularity of the term deconstruction combined with the technical difficulty of Derrida's primary material on deconstruction and his reluctance to elaborate his understanding of the term has meant that many secondary sources have attempted to give a more straightforward explanation than Derrida himself ever attempted. Secondary definitions are therefore an interpretation of deconstruction by the person offering them rather than a direct summary of Derrida's actual position. A survey of the secondary literature reveals a wide range of heterogeneous arguments.

Particularly problematic are the attempts to give neat introductions to deconstruction by people trained in literary criticism who sometimes have little or no expertise in the relevant areas of philosophy that Derrida is working in relation to.


These secondary works e. Deconstruction for Beginners [54] and Deconstructions: A User's Guide [55] have attempted to explain deconstruction while being academically criticized as too far removed from the original texts and Derrida's actual position. In an effort to clarify the rather muddled reception of the term deconstruction Derrida specifies what deconstruction is not through a number of negative definitions. Derrida's theories on deconstruction were themselves influenced by the work of linguists such as Ferdinand de Saussure whose writings on semiotics also became a cornerstone of structuralist theory in the midth century and literary theorists such as Roland Barthes whose works were an investigation of the logical ends of structuralist thought.

However, Derrida resisted attempts to label his work as " post-structuralist ". Nietzsche's project began with Orpheus, the man underground. This foil to Platonic light was deliberately and self-consciously lauded in Daybreak , when Nietzsche announces, albeit retrospectively, "In this work you will discover a subterranean man at work", and then goes on to map the project of unreason: "All things that live long are gradually so saturated with reason that their origin in unreason thereby becomes improbable.

Does not almost every precise history of an origination impress our feelings as paradoxical and wantonly offensive? Does the good historian not, at bottom, constantly contradict? Nietzsche's point in Daybreak is that standing at the end of modern history, modern thinkers know too much to be deceived by the illusion of reason any more. Reason, logic, philosophy and science are no longer solely sufficient as the royal roads to truth. And so Nietzsche decides to throw it in our faces, and uncover the truth of Plato, that he—unlike Orpheus—just happened to discover his true love in the light instead of in the dark.

This being merely one historical event amongst many, Nietzsche proposes that we revisualize the history of the west as the history of a series of political moves, that is, a manifestation of the will to power, that at bottom have no greater or lesser claim to truth in any noumenal absolute sense. By calling our attention to the fact that he has assumed the role of Orpheus, the man underground, in dialectical opposition to Plato, Nietzsche hopes to sensitize us to the political and cultural context, and the political influences that impact authorship.

For example, the political influences that led one author to choose philosophy over poetry or at least portray himself as having made such a choice , and another to make a different choice. The problem with Nietzsche, as Derrida sees it, is that he did not go far enough. That he missed the fact that this will to power is itself but a manifestation of the operation of writing.

And so Derrida wishes to help us step beyond Nietzsche's penultimate revaluation of all western values, to the ultimate, which is the final appreciation of "the role of writing in the production of knowledge". Derrida approaches all texts as constructed around elemental oppositions which all discourse has to articulate if it intends to make any sense whatsoever. This is so because identity is viewed in non-essentialist terms as a construct, and because constructs only produce meaning through the interplay of difference inside a "system of distinct signs". This approach to text is influenced by the semiology of Ferdinand de Saussure.

Saussure is considered one of the fathers of structuralism when he explained that terms get their meaning in reciprocal determination with other terms inside language:. Saussure explicitly suggested that linguistics was only a branch of a more general semiology, of a science of signs in general, being human codes only one among others.

Nevertheless, in the end, as Derrida pointed out, he made of linguistics "the regulatory model", and "for essential, and essentially metaphysical, reasons had to privilege speech, and everything that links the sign to phone". Most of the criticism of deconstruction were first articulated by these philosophers and repeated elsewhere. In the early s, Searle had a brief exchange with Jacques Derrida regarding speech-act theory. The exchange was characterized by a degree of mutual hostility between the philosophers, each of whom accused the other of having misunderstood his basic points.

Searle did not consider Derrida's approach to be legitimate philosophy or even intelligible writing and argued that he did not want to legitimize the deconstructionist point of view by dedicating any attention to it. Consequently, some critics [61] have considered the exchange to be a series of elaborate misunderstandings rather than a debate, while others [62] have seen either Derrida or Searle gaining the upper hand. The level of hostility can be seen from Searle's statement that "It would be a mistake to regard Derrida's discussion of Austin as a confrontation between two prominent philosophical traditions", to which Derrida replied that that sentence was "the only sentence of the "reply" to which I can subscribe".

Austin's theory of the illocutionary act. While sympathetic to Austin's departure from a purely denotational account of language to one that includes "force", Derrida was sceptical of the framework of normativity employed by Austin. He argued that Austin had missed the fact that any speech event is framed by a "structure of absence" the words that are left unsaid due to contextual constraints and by "iterability" the constraints on what can be said, given by what has been said in the past. Derrida argued that the focus on intentionality in speech-act theory was misguided because intentionality is restricted to that which is already established as a possible intention.

He also took issue with the way Austin had excluded the study of fiction, non-serious or "parasitic" speech, wondering whether this exclusion was because Austin had considered these speech genres governed by different structures of meaning, or simply due to a lack of interest.

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In his brief reply to Derrida, "Reiterating the Differences: A Reply to Derrida", Searle argued that Derrida's critique was unwarranted because it assumed that Austin's theory attempted to give a full account of language and meaning when its aim was much narrower. Searle considered the omission of parasitic discourse forms to be justified by the narrow scope of Austin's inquiry. Some critics [66] have suggested that Searle, by being so grounded in the analytical tradition that he was unable to engage with Derrida's continental phenomenological tradition, was at fault for the unsuccessful nature of the exchange.

Derrida, in his response to Searle "a b c Searle did not reply. Later in , Derrida tried to review his position and his critiques of Austin and Searle, reiterating that he found the constant appeal to "normality" in the analytical tradition to be problematic. In the debate, Derrida praises Austin's work, but argues that he is wrong to banish what Austin calls "infelicities" from the "normal" operation of language. One "infelicity," for instance, occurs when it cannot be known whether a given speech act is "sincere" or "merely citational" and therefore possibly ironic, etc.

Derrida argues that every iteration is necessarily "citational", due to the graphematic nature of speech and writing, and that language could not work at all without the ever-present and ineradicable possibility of such alternate readings. Derrida takes Searle to task for his attempt to get around this issue by grounding final authority in the speaker's inaccessible "intention". Derrida argues that intention cannot possibly govern how an iteration signifies, once it becomes hearable or readable.

All speech acts borrow a language whose significance is determined by historical-linguistic context, and by the alternate possibilities that this context makes possible. This significance, Derrida argues, cannot be altered or governed by the whims of intention.

He would also argue about the problem he found in the constant appeal to "normality" in the analytical tradition from which Austin and Searle were only paradigmatic examples. He continued arguing how problematic was establishing the relation between "nonfiction or standard discourse" and "fiction," defined as its "parasite, "for part of the most originary essence of the latter is to allow fiction, the simulacrum, parasitism, to take place-and in so doing to "de-essentialize" itself as it were".

This question is all the more indispensable since the rules, and even the statements of the rules governing the relations of "nonfiction standard discourse" and its fictional"parasites," are not things found in nature, but laws, symbolic inventions, or conventions, institutions that, in their very normality as well as in their normativity, entail something of the fictional. He called Derrida's conclusion "preposterous" and stated that "Derrida, as far as I can tell, does not have an argument.

John Searle - Foucault and Bourdieu on continental obscurantism

He simply declares that there is nothing outside of texts Further, in an essay on religion and religious language, Habermas criticized Derrida's insistence on etymology and philology see Etymological fallacy. The American philosopher Walter A. Popular criticism of deconstruction also intensified following the Sokal affair , which many people took as an indicator of the quality of deconstruction as a whole, despite the absence of Derrida from Sokal's follow-up book Impostures Intellectuelles.

Deconstruction For deconstruction of buildings, see Deconstruction building. For the approach to post-modern architecture, see Deconstructivism. For other uses, see Deconstruction disambiguation. Main article: Metaphysics of presence. Further information: Yale school. Further information: Critical legal studies.

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See also: Limited Inc. On this page Derrida states that the occidental history of signs is essentially theological with reference to Logocentrism. Derrida starts a metaphysical approach of semiology. He states that the concept of sign and deconstruction work are always exposed to misunderstanding. In the same page Derrida states that he will try to demonstrate that there is no linguistic sign without writing.

Course in General Linguistics [ trans. In language there are only differences. Even more important: a difference generally implies positive terms between which the difference is set up; but in language there are only differences without positive terms. Whether we take the signified or the signifier, language has neither ideas nor sounds that existed before the linguistic system, but only conceptual and phonic differences that have issued from the system.

From Formalism to Poststructuralism. Cambridge University Press. Derrida says of the logocentric philosophers who hold out this hope of immediacy: " Univocity is the essence, or better, the telos of language. No philosophy has ever renounced this Aristotelian ideal. This ideal is philosophy.

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  • To destroy the tradition would be to see all the texts of that tradition as self-delusive, because [it is] using language to do what language cannot do. Language itself, so to speak, can be relied upon to betray any attempt to transcend it see Derrida, "Writing", pp. Of Grammatology. Logocentrism would thus support the determination of the being of the entity as presence.

    To the extent that such a Logocentrism is not totally absent from Heidegger's thought, perhaps it still holds that thought within the epoch of onto-theology, within the philosophy of presence, that is to say within philosophy itself. The secondarity that it seemed possible to ascribe to writing alone affects all signifieds in general, affects them always already, the moment they enter the game.